Venice LUT in action

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Read about the new Sony Venice color science coming to the PXW-FS5 mkii

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The Sony F55 "teleprompted"

Super Magenta Killer

Magenta Killer 3D LUT pack for Sony FS5/F5/55/FS7

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F55 4K high-key shoot

The F55 and Catalyst Browse on a high-key shoot

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Uncommon Enemies

A comedy/horror film I co-produced and worked on as the Director of Photography shot with the Sony F55 camera. Starring Michael Cram, Melanie Scrofano, James Gangl, and AJ Vaage. Written & Directed by Alex Hatz.

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from the blog

I test the new center scan mode for using super 16mm lenses on the Sony F55

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Welcome to my cinema blog

Thanks for stopping by my website!

In my cinema blog you’ll discover a variety of articles and information based on the experience I’ve gained working with a wide variety of cinema cameras over the years combined with my work as DP on projects ranging from high-end commercial spots for some of the worlds most recognized brands, to narrative projects, music videos, television broadcast. My portfolio can be seen on www.starcentral.ca

I’ve owned Sony super35mm cameras; F3, FS7, FS5, and currently own and shoot with the Sony PMW-F55 + R5 RAW module as my go to camera. I also often work with Blackmagic, RED, and Canon cameras as well.

I welcome you to my website so stay a while and enjoy the content. Please also subscribe so you can keep up to date with newly published articles.

– Dennis Hingsberg

F3 through its paces

I needed to share some feedback on the F3 now that I’ve owned one for 8 months and worked on a variety of projects with it from interviews, feature length films, artistic music videos, and even photography (yes with the F3). For a Super 35mm motion picture camera you might expect rigid processes and finagling but the F3 is far …

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Lightmeter use with the F3

I have been using my Sekonic Zoom Master L-508 lightmeter in conjunction with my F3 since I got the camera last year. One of the things I really wanted to be able to nail down was getting the best exposure and consistent exposure for shoots where I may be limited in external tools, or need to shoot a light rig, or as …

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So you think you need S-LOG?

so you think you need S-LOG?

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Footcandles to expose image on F3

Since I left behind the world of shooting with 35mm adapters where I was working with effective ISO’s from anywhere between 50 and 160 to a bright new world of 800 ISO with the F3, lately I’ve been obsessing over different light fixtures and their output performance combined with what’s exactly needed to expose a “good” image with the F3. …

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