Venice LUT in action

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Read about the new Sony Venice color science coming to the PXW-FS5 mkii

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The Sony F55 "teleprompted"

Super Magenta Killer

Magenta Killer 3D LUT pack for Sony FS5/F5/55/FS7

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F55 4K high-key shoot

The F55 and Catalyst Browse on a high-key shoot

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Uncommon Enemies

A comedy/horror film I co-produced and worked on as the Director of Photography shot with the Sony F55 camera. Starring Michael Cram, Melanie Scrofano, James Gangl, and AJ Vaage. Written & Directed by Alex Hatz.

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from the blog

I test the new center scan mode for using super 16mm lenses on the Sony F55

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Welcome to my cinema blog

Thanks for stopping by my website!

In my cinema blog you’ll discover a variety of articles and information based on the experience I’ve gained working with a wide variety of cinema cameras over the years combined with my work as DP on projects ranging from high-end commercial spots for some of the worlds most recognized brands, to narrative projects, music videos, television broadcast. My portfolio can be seen on www.starcentral.ca

I’ve owned Sony super35mm cameras; F3, FS7, FS5, and currently own and shoot with the Sony PMW-F55 + R5 RAW module as my go to camera. I also often work with Blackmagic, RED, and Canon cameras as well.

I welcome you to my website so stay a while and enjoy the content. Please also subscribe so you can keep up to date with newly published articles.

– Dennis Hingsberg

The Next 35mm Revolution?

We live in interesting times. On October 15th marketing manager Peter Crithary for Super 35mm acquisition and technologies at Sony Electronics, USA first tweeted “Ahead of schedule. October 30, 2012. The New F”. Many of us including myself speculated it would be the announcement of a new 4k recorder to accompany the FS700 but then later more clues arrived indicating it would …

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Apply LUT to SLOG without plugins

For those looking to work on SLOG footage without any fancy plugins there are some tools built into Adobe Premiere and After Effects that will help shape your highlights and prevent clipping them once you do further grading. It’s also great for working with cine gamma’s 1,3 & 4 where you are able to record illegal signals (over 100IRE). Adobe …

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Graded 8 bit S-log on the F3

More on this soon but I am currently working on two cinematic style music video productions and decided to shoot them using the version 1.4 firmware provided S-LOG which becomes accessible under the picture profile on the Sony F3. Below is a before and after sample for preview. Note this is not the final grade and primarily done as a …

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Auto-exposure on the F3 with manual lenses

I originally wrote part of this reply in response to some criticism the Sony 18-270mm zoom lens was receiving. In particular the “ramping” – which is experienced when zooming throughout the range of a zoom lens which does not feature a constant aperture throughout. The Sony F3 offers an amazing feature buried in the menu that was meant for automatically …

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