Venice LUT in action

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Read about the new Sony Venice color science coming to the PXW-FS5 mkii

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The Sony F55 "teleprompted"

Super Magenta Killer

Magenta Killer 3D LUT pack for Sony FS5/F5/55/FS7

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F55 4K high-key shoot

The F55 and Catalyst Browse on a high-key shoot

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Uncommon Enemies

A comedy/horror film I co-produced and worked on as the Director of Photography shot with the Sony F55 camera. Starring Michael Cram, Melanie Scrofano, James Gangl, and AJ Vaage. Written & Directed by Alex Hatz.

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from the blog

I test the new center scan mode for using super 16mm lenses on the Sony F55

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Welcome to my cinema blog

Thanks for stopping by my website!

In my cinema blog you’ll discover a variety of articles and information based on the experience I’ve gained working with a wide variety of cinema cameras over the years combined with my work as DP on projects ranging from high-end commercial spots for some of the worlds most recognized brands, to narrative projects, music videos, television broadcast. My portfolio can be seen on www.starcentral.ca

I’ve owned Sony super35mm cameras; F3, FS7, FS5, and currently own and shoot with the Sony PMW-F55 + R5 RAW module as my go to camera. I also often work with Blackmagic, RED, and Canon cameras as well.

I welcome you to my website so stay a while and enjoy the content. Please also subscribe so you can keep up to date with newly published articles.

– Dennis Hingsberg

Coloring FS7 slog3 4K footage

V2 Fs7 Slog3 Clean 960

While waiting for my Sony FS7 test unit to arrive from Vistek Toronto, I had a chance to get my hands on various files off the internet and found one in particular shot by DP Tuomas Hakal that I enjoyed grading and felt really showed some of the capabilities of what could be done with the footage from this new camera …

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Video & Data Levels Demystified!

Untitled2 Gain Lowered On 64 960

There can be a lot of confusion when it comes to use of video or data levels when recording with most cameras, including the Sony’s, and usually it rears it’s ugly head when it comes to the post production process resulting in everything from shifted levels, clipped signals, and just a mass of confusion that can leave you scratching your …

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Roundtrip Workflow in Resolve and the F55

Davinciresolve

I am a huge fan of roundtrip workflows using Davinci Resolve and various NLE softwares! For one, when shooting 4K on the F55 in XAVC and especially RAW the files can be massive but often reduced to a very small fraction of the originals which then can easily be given to an editor, producer, etc.. as either dailies and for …

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4TB of F65 4K footage available from film

01 2a 00000

A year ago the Blender Foundation released 4TB of F65 4K from their Tears of Steel film which is fully available for download  from their website http://mango.blender.org. This is a CG heavy film so within the footage you’ll find a good mixture of scenes which include some green screen work as well as some motion tracking markers on characters in the …

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