Category: ‘PXW-F7’
Exposure compensated 3D LUTs
When working with Sony camera’s capable of recording using slog gamma, 3D LUTs can be a great way to get a quick grade in post or even be used as a base to start grading as I have done plenty of times. For shooting I sometimes even bake in LC709A or 709(800) directly into the footage for quicker turn around …
Crux of Custom and CineEI mode
Four years after Sony introduced Custom and CineEI mode on the PMW-F5 & PMW-F55, which also made it’s way over to the PXW-FS7, there seems to still be a lot of confusion around Custom vs CineEI mode on these camera’s. Note: these issues don’t exist on the FS5 however, as there is no CineEI mode on the PXW-FS5 but it …
Which Sony cameras make the cut for NetFlix
A chart floating around Facebook indicating camera requirements is making a bit of a buzz online, especially amongst Sony cinema camera owners since the PXW-FS7, PMW-F55 and F65 models are listed – but not the poor little brother (or sister) the PMW-F5! Naturally speculation ensued and in a nutshell the likely reasons the F5 is not listed could come down …
HDR coming to Sony F-series cams via HLG
As technology improves on consumer displays, allowing higher resolutions and images to be brighter, Sony has decided to develop a Hybrid Log Gamma (HLG) which will allow an “intstant HDR” workflow to allow simply shooting, editing viewing of HDR content in HLG without the need for color grading. What’s great is this allow you to squeeze every bit of dynamic range …
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