The Sony F55 "teleprompted"

Super Magenta Killer

Magenta Killer 3D LUT pack for Sony FS5/F5/55/FS7

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F55 4K high-key shoot

The F55 and Catalyst Browse on a high-key shoot

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Uncommon Enemies

A comedy/horror film I co-produced and worked on as the Director of Photography shot with the Sony F55 camera. Starring Michael Cram, Melanie Scrofano, James Gangl, and AJ Vaage. Written & Directed by Alex Hatz.

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from the blog

I test the new center scan mode for using super 16mm lenses on the Sony F55

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Welcome to my cinema blog

Thanks for stopping by my website!

In my cinema blog you’ll discover a variety of articles and information based on the experience I’ve gained working with a wide variety of cinema cameras over the years combined with my work as DP on projects ranging from high-end commercial spots for some of the worlds most recognized brands, to narrative projects, music videos, television broadcast… and more.

I welcome you to my website with no 3rd party ads or tricks to click – so stay a while and enjoy the content. Please also subscribe so you can keep up to date with newly published articles.

- Dennis Hingsberg

Super Magenta Killer 3D LUT pack

Super Magenta Killer With Skin Boost Side By Side

For those who are tired of dealing with a dreaded magenta cast in their Sony footage I have developed an amazing 3D LUT pack that I’ve decided to share and call the Super Magenta Killer 3D LUT pack! Aside from reducing a magenta cast in your footage, these 3D LUTs also emulate the ARRI Alexa/Amira REC709 color profile so you …

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Another Catalyst Browse coloring session

Screen Shot 2015 12 13 At 10.08.13 PM

I worked on a narrative project recently and eager to see some of the results brought the footage shot on the Sony PMW-F55 into Catalyst Browse software by Sony. Below is not what I’d called “color grading” but rather simple “color correction” – the difference to me being that “grading” is more about stylizing an image perhaps with a specific …

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Specification differences Sony FS5 FS7 F5 F55

TOPSHOTFS5

This post updated August 30th 2017 to reflect new firmware version 4.02 on the FS5 camera The PXW-FS5 is the newest super35mm camera being added to the Sony lineup of F-series PXW and PMW (CineAlta) cameras. Below is a full summary of the differences between models as you go down from the PMW-F55 camera. Prices will be summarized at the …

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Reasons to shoot 4K if you’re an indie filmmaker

Shoot4k

There are some really good arguments out there about why you don’t need to shoot in 4K (or even higher resolutions) and most arguments are easily augmented by motion picture camera manufacturer ARRI who for the last 10 years has felt 2K acquisition as adequate for their digital cinema camera line. As someone who does a lot of post production …

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