Category: ‘PXW-F7’

Coloring with the Venice LUT

Graded 1.20.7

I’m finishing color on a short film I DP’d called You Did This to Me starring Alysa King (Hunters Moon, Bed of the Dead, Berkshire County), Written & Directed by Ryan LaPlante (Holy Hell). Complete post on the film wraps up this winter and from there the film will be gearing up for the film festival circuit in 2020. Stay tuned! The …

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FS7 F5 F55 settings to bake LUTs

IMG F55cine EI Zpsf1680e75

Baking in LUTs has many practical uses including quick turn-around of files shot in CineEI mode or using custom created looks you’ve created yourself or downloaded from the Internet. Also with the F5/F55 and FS7 you can only access Sony’s newer color space sgamut3 in CineEI mode (not Custom mode) so using the feature of “baking in a LUT” allows you to use the …

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Sony Venice Rec709 Venice 3D LUT

Sony Venice Thunder Roar

Sony has released the Venice-like REC709 LUT for slog3/s-gamut3.cine footage. In the ZIP are the following files: Slog3-S-Gamut3.Cine_To_s709_V200.cube Slog3-S-Gamut3.Cine_To_sP3D65_V200.cube Slog3-S-Gamut3.Cine_To_sP3DCI_V200.cube You can download the ZIP here: Sony rec709 Venice 3D LUT      

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Exposure compensated 3D LUTs

Maxresdefault

When working with Sony camera’s capable of recording using slog gamma, 3D LUTs can be a great way to get a quick grade in post or even be used as a base to start grading as I have done plenty of times. For shooting I sometimes even bake in LC709A or 709(800) directly into the footage for quicker turn around …

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