Category: ‘PMW-F5’

Exposure compensated 3D LUTs

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When working with Sony camera’s capable of recording using slog gamma, 3D LUTs can be a great way to get a quick grade in post or even be used as a base to start grading as I have done plenty of times. For shooting I sometimes even bake in LC709A or 709(800) directly into the footage for quicker turn around …

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Crux of Custom and CineEI mode

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Four years after Sony introduced Custom and CineEI mode on the PMW-F5 & PMW-F55, which also made it’s way over to the PXW-FS7, there seems to still be a lot of confusion around Custom vs CineEI mode on these camera’s. Note: these issues don’t exist on the FS5 however, as there is no CineEI mode on the PXW-FS5 but it …

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Sony F55 and the MD-HX Decimator

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SDI is the predominant and preferred (and sometimes only interface option) digital video interface to route from a camera to external monitors for monitoring on set, wireless video senders (Teradek, etc..) or even broadcast video uplink systems such as LiveU, Dejero, etc.. but what happens when these systems only support HD in 60i and you are shooting in 24p? Since …

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HDR coming to Sony F-series cams via HLG

Rain

As technology improves on consumer displays, allowing higher resolutions and images to be brighter, Sony has decided to develop a¬†Hybrid Log Gamma (HLG) which will allow an “intstant HDR” workflow to allow simply shooting, editing viewing of HDR content in HLG without the need for color grading. What’s great is this allow you to squeeze every bit of dynamic range …

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