Category: ‘PMW-F3’

Crux of Custom and CineEI mode

IMG 20170923 100642

Four years after Sony introduced Custom and CineEI mode on the PMW-F5 & PMW-F55, which also made it’s way over to the PXW-FS7, there seems to still be a lot of confusion around Custom vs CineEI mode on these camera’s. Note: these issues don’t exist on the FS5 however, as there is no CineEI mode on the PXW-FS5 but it …

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Sony 3D LUTs

• Alexa_LogC_2_Rec709 From BMD Davinci Resolve • Bleach_bypass  - (deliver us from Evil) LUT for slog2 • RosolveCubeFiles.zip – issued by Sony and contains: slog2-sgamut-to LC-709, LC709TypeA, Slog2-709, Cine+709. • SLog3SG3toSG3Cine.zip – converts sgamut3 to sgamut3.cine color space for easier grading • SonyLookProfiles Slog3 Sgamut3Cine – issued by Sony and contains: slog3-sgamut3.cine to LC-709, LC709TypeA, Slog2-709, Cine+709 • f35-slog-to-lc709A – modified LC709A …

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Sony F3 Resurrected – LUTs

Sony F3 Resurrection

This thread is dedicated to all the long time Sony F3 lovers, owners, and shooters on the web. I feel like so many of us have been trying for years to crack the secret of working with slog from the Sony cams – whether that’s the Sony F3, F5 or F55. Some of us have been more successful than others, …

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F3 FS7 F5/55 gamma curves

Boat Slog

I became a big fan of the Sony gamma curves on the Sony F3 when I wasn’t shooting in slog. Most of the time slog requires meticulous exposure, some form of a monitoring LUT to satisfy video village, and a post-production colourist who has experience working with it to make it shine. Myself along with many others have found that …

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