Category: ‘Filmmaking’

HG7 hypergamma rivals slog

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For fast turn around work where footage won’t have a chance to go through the post production process of being color graded, F5/F55/FS7 shooters have the option of baking in a user uploadable 3D LUT to the camera – or using one of four Sony 3D LUT presets (called LOOKS) built right into the camera. Amongst the built-in LUTs are …

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Replicating CineEI Mode in Custom Mode on the F55

Color Chart F55 900

DVINFO.net just published an article where I tested getting the underlying look and color space from the CineEI mode in the Custom Mode on the F55 camera. This could be useful to you if you enjoy some of the Custom Mode features but wish they were available in CineEI mode. Also for those who aren’t aware the color space and …

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360fps on the Sony F55

360fps F55 System

Perhaps it’s not widely known but the Sony F55 camera can actually go up to 360fps! Here’s a quick overview of HFR (High Frame Rate) on the F55 before we get to the goodies. Internally the F55 camera can record up to 60p in 4K XAVC, and 180fps in HD XAVC. With the AXS-R5 RAW recording module up to 240fps …

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Video & Data Levels Demystified!

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There can be a lot of confusion when it comes to use of video or data levels when recording with most cameras, including the Sony’s, and usually it rears it’s ugly head when it comes to the post production process resulting in everything from shifted levels, clipped signals, and just a mass of confusion that can leave you scratching your …

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