Uncommon Enemies

A comedy/horror film I co-produced and worked on as the Director of Photography shot with the Sony F55 camera. Starring Michael Cram, Melanie Scrofano, James Gangl, and AJ Vaage. Written & Directed by Alex Hatz.

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The Sony F55 "teleprompted"

from the blog

I test the new center scan mode for using super 16mm lenses on the Sony F55

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"Imagery is my life and life is something beautiful"

I offer a wide range of services:

Film Production

Complete fully kitted out Sony PMW-F55 4K camera, prime lenses, lighting packages, camera support, and production equipment including jib arm, dolly, Steadicam… and more.

Cinematography

Experienced with lighting designs, assembling and managing film crews to meet the demanding visual needs for cinematic film-style commercial, TV and film productions.

 

Post Production

From editing suites featuring Sony Vegas, Adobe Premiere, and Final Cut Pro X to advanced color correction using the world’s most advanced color grading system DaVinci Resolve.

Logmar Super 8mm film camera

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For those who aren’t aware, film is back.   Recently I had a chance to test a beta version of the Logmar Super 8mm film camera combined with a c-mount Schneider 6-66mm zoom lens on my Steadicam. The camera & lens is owned by local Toronto film camera fanatic and serious enthusiast Nick Kovats. I have to start off by saying this is no …

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Sony 3D LUTs test

Screen Shot 2015 01 26 At 1.59.37 PM

In an article of mine published earlier this year by DVINFO.net titled “Replicating CineEI mode in Custom Mode on the F55“ I tested a way to simulate the look of S-Gamut3.cine in Custom Mode on the F55 camera using the built-in matrix presets. One of the obvious conclusions from the test was it showed just how different color is rendered …

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HG7 hypergamma rivals slog

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For fast turn around work where footage won’t have a chance to go through the post production process of being color graded, F5/F55/FS7 shooters have the option of baking in a user uploadable 3D LUT to the camera – or using one of four Sony 3D LUT presets (called LOOKS) built right into the camera. Amongst the built-in LUTs are …

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Replicating CineEI Mode in Custom Mode on the F55

Color Chart F55 900

DVINFO.net just published an article where I tested getting the underlying look and color space from the CineEI mode in the Custom Mode on the F55 camera. This could be useful to you if you enjoy some of the Custom Mode features but wish they were available in CineEI mode. Also for those who aren’t aware the color space and …

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