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In my cinema blog you’ll discover a variety of articles and information based on the experience I’ve gained working with a wide variety of cinema cameras over the years combined with my work as DP on projects ranging from high-end commercial spots for some of the worlds most recognized brands, to narrative projects, music videos, television broadcast… and more.
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- Dennis Hingsberg
Crux of Custom and CineEI mode
Four years after Sony introduced Custom and CineEI mode on the PMW-F5 & PMW-F55, which also made it’s way over to the PXW-FS7, there seems to still be a lot of confusion around Custom vs CineEI mode on these camera’s. Note: these issues don’t exist on the FS5 however, as there is no CineEI mode on the PXW-FS5 but it …
Sony unveils VENICE – full frame 36x24mm digital cinema camera
Sony just unveiled it’s new full frame (36mm x 24mm) CineAlta 6K cinema camera called VENICE! This is Sony’s new flagship model for the CineAlta line and features a full frame size sensor with 6K resolution in full frame mode and 4K in super35 windowed mode. At a first glance here are some of the details which have been released …
ITCH short film – shot and colored F55/DaVinci
ITCH is a short horror film written and directed by Sean Patrick Kelly that I got involved with as co-producer and worked on as the director of photography and colorist. Horror is amongst my favorite genres, so when I first met Sean and found out more about the project and read the script I definitely wanted to get on board. …
Sony FS5 Ultimate Exposure Guide update 2017
I’m very pleased to announce the release of an updated version of the Ultimate Exposure Guide for the Sony FS5 as of firmware version 4.02! The Ultimate Exposure Guide for the FS5 is publication available as a PDF download with 34 8′ x 11′ pages containing diagrams, tables, and detailed information on everything there is to know about working with …
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